“The outside noises don’t seem so bad. Not even the explosions.”
From the swamps of jazz to the far reaches of the bizarre: Mother Raspberry and the Lord Prometheus Jon. LXVII sends a time-traveling Monarch across the American political landscape with strange progressive industrial jazz and heavy jaunts — the soundtrack to a film that barely exists. Madness Beyond the Dome completes the Frasier-saluting saga where only madness awaits outside. Meanwhile, syn.terra's Kharybdis conjures piano-driven industrial jazz swamp grooves fit for a sunrise stroll through the bog, and Aeon / Umbrasia closes the trilogy with mechanical jazz dredged from rust-neglect machinery and fetid marshland depths.
“A Jazz, Orchestra and Symphonic Folk experiment was cancelled, so I posted some songs for you”
“Described as 'sounding like the bastard son of Genesis P. Orridge and Alice Coltrane'.”
“Fiery, expansive, soulful, inquisitive modern jazz spanning post-bop, fusion, hip hop, and classic styles.”
“A compilation of live, backing track performance recordings from various performances by the self proclaimed 'singer-songcyclist' at Green Kill Gallery in Kingston, NY.”
“Tracing the shimmer of mid-summer light as it melts into shadow, a haze of sound and fading warmth.”
“A lo-fi, late-night album from aces coffee club. Made in one sitting with a toothache and a looper.”