“The War We Miss? by Jacob's Fall is sometimes playful, then sinfully counterintuitive, sometimes theatrical, always atmospheric, then somber and melancholic.”
Cranking up the alternative rock heat: Rural France's SLOTHS delivers their jangliest, most baroque album yet — organ, horns and mellotron intact — while still honoring their "Pavement playing Teenage Fanclub" mission statement. Publicity Department's S. Michael Brook And The Steam-Powered Trains brings crunchy guitars and two-part harmonies, power pop influences distorted through 90s alt-rock sensibilities. Jacob's Fall's The War We Miss? is playful then sinfully counterintuitive, theatrical yet somber — symphonic German rock at its most captivating. I Ya Toyah's Closer rounds things out with industrial-cinematic intensity, reimagining Nine Inch Nails as a haunting meditation on validation and lost identity.
“The War We Miss? by Jacob's Fall is sometimes playful, then sinfully counterintuitive, sometimes theatrical, always atmospheric, then somber and melancholic.”
“'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity”
“Running in at 50 minutes 'It's Time to Bounce, Amigo!' is a short and sweet punk rock odyssey that is influenced by the likes of the Pixies, The Flaming Lips and Guided by Voices!”
“A song that gives shame, embarrassment, and insecurity a voice, and asks how those feelings shape who we become.”
“RF release their jangliest, most baroque and thoughtful album yet, but maintain 'Pavement playing Teenage Fanclub” mission statement”
“Crunchy guitars and two-part vocal harmonies; power pop influences distorted through 90s alt rock sensibilities.”
““Lost in Silence” is a dark, atmospheric and deeply melodic rock album that transforms melancholy, inner struggle and the darker sides of human existence into powerful and emotionally captivating m...”
“TRÄUMEN is my third full-length album, blending my indie rock roots with psychedelic and ambient textures, experimental production, and genre-bending songwriting to reflect my growth as an artist a...”