“Lenny and the D's self titled is a smash up of fast paced indie rock with introspective, wall-of-sound vocal harmonies, all wrapped up in a groovy, self-aware package.”
Confrontation and darkness fuel the alternative underground: I Ya Toyah's FEELINGS is a hard-edged industrial statement born from frustration and emotional overload, exposing a culture of performative outrage and quiet conformity with unapologetic force. Montreal's The City Gates' Chimera unfolds like a nocturnal landscape of brooding post-punk rhythms and shimmering shoegaze walls of sound — "an album you can't escape from." Coma Beach's A Madman's Dream/Mind Descending fuses punk's feral bite with post-punk cold precision in their Beckett-infused triptych, while Lenny and the D crash the party with fast-paced indie rock, wall-of-sound harmonies, and working-class wit on their self-titled debut.
“Lenny and the D's self titled is a smash up of fast paced indie rock with introspective, wall-of-sound vocal harmonies, all wrapped up in a groovy, self-aware package.”
“A raw, existential blast of punk‑driven despair and dark wit — Coma Beach’s fractured odyssey, remixed and resurrected”