Raging against the digital and the existential: I Ya Toyah's Closer transforms Nine Inch Nails' iconic track into a haunting industrial-cinematic meditation on validation and lost identity, while PAHL!'s Digital Oblivion blends icy 90s electro-industrial with dark-pop to ask "what remains of us when everything turns digital?" Coma Beach's A Madman's Dream/Mind Descending fuses punk's feral bite with post-punk's cold precision, steeped in Beckett and Schopenhauer. Jacob's Fall's Lost In Silence channels melancholy, inner struggle and dark atmospheric rock into something intensely elegiac, while John Titor's Time Machine's It's Time to Bounce, Amigo! keeps it proggy, industrial, groovy and crass — a punk odyssey shaped by Pixies and DAF.
Alternative Rock releases
“'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity”