Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
“Imagine Brian Wilson (RIP) & The Beach Boys teamed up with the The Dandy Warhols to make a record in your Mom's spare bedroom.”
“Los Angeles darkwave trio Chalice Sect unveils riveting new electronic post-punk EP Finis Initii”
“I Ya Toyah Confronts Inner Darkness for World Mental Health Day with 'WHITE WALLS' Single Release”
“Bleed for the Machine is a high-energy shot fired straight at the heart of generative AI, if it had one.”
““Lost in Silence” is a dark, atmospheric and deeply melodic rock album that transforms melancholy, inner struggle and the darker sides of human existence into powerful and emotionally captivating m...”
“The War We Miss? by Jacob's Fall is sometimes playful, then sinfully counterintuitive, sometimes theatrical, always atmospheric, then somber and melancholic.”