Wading into swampy sonic depths: Stewart Keller's SHRIMP GAME: OVERKRILL OST scores an atmospheric decaying underwater world replete with horrific sea creatures and Lovecraftian bosses, while syn.terra's Kharybdis delivers piano-driven industrial jazz swamp grooves with horns, synths, upright bass, and dangling vines. Eric Hausmann's Ahh Dub cuts loose a found voice from decades ago over drums and bass that won't settle, and Jav Grojas's Journey on Guitars charts four thematically linked pieces in a classical-neoclassical-jazz fusion vein. The Penal Colony's Decadence rounds things out with electro-industrial self-indulgence born from sociocultural decay.

Instrumental releases

Audio Potion / End Of The Day by Lakitunes cover art

“LoFi Chillhop meets NES & SNES Sounds!”

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Harrow Brane by Jav Grojas cover art
67 in stock

“Neoclassical pieces with synthesized strings and pads, in a space uncanny unsettling aymosphere.”

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Zakalwe by Zakalwe cover art
61 in stock

“Belfast based indie folk and soundscapes”

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Color Shift by Mystical Space Tigers cover art

“ROOOAAAAAAAAARRRRRRRRR!!!”

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Ocean of Planck Foam by Jav Grojas cover art

“Instrumental pieces, in a neoclassical electronica mode, about an ocean and, simultaneously, about the quantum uncertainty.”

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Commiserate by pathetique cover art
105 in stock

“Sounds of empathy, neglect, and a hug during the worst times.”

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SHRIMP GAME: OVERKRILL OST (Contributions) by Stewart Keller cover art

“SHRIMP GAME: OVERKRILL is an atmospheric third-person looter shooter RPG set in a decaying underwater world replete with horrific sea creatures and Lovecraftian Bosses.”

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Kharybdis by syn.terra cover art
71 in stock

“Piano-driven industrial jazz swamp grooves, with horns, synths, upright bass, and dangling vines.”

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Ahh Dub by Eric Hausmann cover art
39 in stock

“A found voice that never finishes its thought — dub for a body that won't sit still.”

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Decadence by The Penal Colony cover art

“'Decadence' is a work of electro-industrial music inspired by the acts of self-indulgence done in reaction to perceived sociocultural decay.”

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