“To me, this is a soundtrack vibe to anything 'Dirty South.' It is 'Deliverance' in a song.”
Scoring the abyss: Stewart Keller conjures an atmospheric looter-shooter RPG set in a decaying underwater world of Lovecraftian bosses and horrific sea creatures, while Jav Grojas crafts through-composed synthesized piano landscapes that develop without repetition or sections. Harrow Brane follows with synthesized strings and pads in a space uncanny unsettling atmosphere, and Ocean of Planck Foam navigates the twin axes of ocean and quantum unreality in neoclassical-electronica. Zakalwe drones through Belfast indie folk with open tunings and harmonic noodlings, and Lakitunes blends LoFi chillhop with NES and SNES nostalgia.
“To me, this is a soundtrack vibe to anything 'Dirty South.' It is 'Deliverance' in a song.”
“Across twelve binaural chapters, Social Treble takes a software architect from a Bangalore surveillance grid to a morning nobody is measuring.”
“A cinematic, somewhat ambient, instrumental, synth based soundtrack for a non-existent movie.”
“Celtic choir, Viking Age rhythms, desert winds and Nordic fjords: five cinematic tracks inspired by ancient worlds. Press play and disappear into it.”
“Instrumental synthesized piano pieces, in a classical/neoclassical way, developed without repetitions or sections.”