From the outer edges of sound: Dino DiMuro meticulously recreates a Captain Beefheart classic — vocals, guitars, bass, drums, and all — adding piano and synth bass for a personal stamp, while Beck West serves up improvised ambient layers that make time itself slow to a chewy, asymmetrical crawl. Dead Voices On Air pushes four decades of industrial decay and ambient abstraction further with the transatlantic, genre-defying Mothcomma, shifting between shadowed song structures and spectral atmospheres. The Abstract Observer contemplates infinite paths via Feynman-inspired ambient electronics, while Kilmarth builds glitch-laden tension through minimalism and quiet electronic detail. Left in Twain scores a world of grief and solitude across two discs of damaged melody and distorted dread.
Experimental releases
“An alternate take on a score for the world of grief and solitude that is Silent Hill”