Guitars chime and walls of sound shimmer: Das Schwat resurrect the Herr Wade catalogue with elegantly crooned indie-rock, the 'wall of sound' built not by an orchestra but a host of guitars and a pulsating rhythm section. Trademark Issues deliver a defiant indie-pop 'difference' that somehow sets every album apart, while Victims of the New Math takes jangly alt. lo-fi pop deep into gloriously original territory. No Museums juxtaposes fuzz that whirrs and grinds with the most jangly of melodic underlays, and Sorry Monks evoke the golden age of guitar-pop without veering into pastiche on the beautifully sequenced Grass Is Greener.
Jangle Pop releases
145 in stock
“you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section.”
178 in stock
“Here, at any rate, you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section”