“you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section.”
Guitars blazing from every angle: Das Schwat conjures a 'wall of sound' built not from orchestras but from a host of different guitars and a pulsating rhythm section on this elegantly crooned indie-rock gem, while No Museums juxtaposes aural layers of fuzz that whirrs and grinds atop the most jangly of melodic underlays. Victims of the New Math takes jangly alt. lo-fi pop deep into original territory, and Zenxith delivers another authentically DIY jangle-pop addiction — stacks of chorus-drenched guitars, tambourine, handclaps and whispered vocals recorded straight to phone — warning: can cause serious addiction if used for more than three days.
“you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section.”
“Here, at any rate, you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section”