“you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section.”
Chiming guitars and bedroom confessions collide: Shapes Like People push jangle pop into dreampop and shoegaze territory on the flawless, hook-laden Under The Rainbow, while Liberty Belle delivers the most beautifully fragile indie-pop imaginable — pure McLennan-era Go-Betweens gold. Few Border finds lucid jangled riffs with consummate ease on Unknown Gazers, and The Kind Hills craft slacker-pop odes to simplicity that never stray into fluffier realms of contrition. Meanwhile, Zenxith keeps it gloriously DIY — tambourines, chorus-drenched guitars and whispered vocals recorded straight to phone on the addictively lofi For Three Days Use Only.
“you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section.”
“Here, at any rate, you’ll find elegantly crafted and crooned songs, with the ‘wall of sound’ created not by an orchestra but by a host of different guitars and a pulsating rhythm section”