Chiming guitars and bedroom confessions collide: Shapes Like People push jangle pop into dreampop and shoegaze territory on the flawless, hook-laden Under The Rainbow, while Liberty Belle delivers the most beautifully fragile indie-pop imaginable — pure McLennan-era Go-Betweens gold. Few Border finds lucid jangled riffs with consummate ease on Unknown Gazers, and The Kind Hills craft slacker-pop odes to simplicity that never stray into fluffier realms of contrition. Meanwhile, Zenxith keeps it gloriously DIY — tambourines, chorus-drenched guitars and whispered vocals recorded straight to phone on the addictively lofi For Three Days Use Only.

Jangle Pop releases

Robertson by Robertson cover art
10 in stock

“Chiming acoustic pop with flavours of psychedelia , Folk Rock & Americana”

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Segunda Mano by La Mano de Cervantes cover art

“An unpretentious, self-produced power pop record that blends early indie influences with occasional stylistic detours, all driven by a purely underground spirit.”

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Untitled by Hanemoon cover art
39 in stock

“Hanemoon are one of the finest purveyors of jangly riff resonance is jangle-pop modernity”

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