Jangle pop's finest hour: Few Border blends subtle gaze inflections with beautifully lucid jangled riffs found with consummate ease, while Liberty Belle delivers the most beautifully fragile indie-pop imaginable — firmly at the McLennan end of The Go-Betweens repertoire. Shapes Like People push traditional Jangle Pop into Dreampop and Shoegaze territory across twelve seamless, hook-laden tracks on Under The Rainbow. The Kind Hills craft unhurried jangly indie-pop odes to simplicity that never stray into the fluffier realms of contrition, and Sorry Monks evoke the golden age of guitar-pop — Mamas and Papas meets Between The Buttons-era Stones — without a hint of pastiche.
Jangle Pop releases
“Mirror Skies traverses themes of lost love, yearning, childhood, legacy and the beauty and danger of living in the past across a kaleidoscopic array of tracks, ranging from jangly dream pop to shoe...”