Guitars blazing from every angle: Das Schwat conjures a 'wall of sound' built not from orchestras but from a host of different guitars and a pulsating rhythm section on this elegantly crooned indie-rock gem, while No Museums juxtaposes aural layers of fuzz that whirrs and grinds atop the most jangly of melodic underlays. Victims of the New Math takes jangly alt. lo-fi pop deep into original territory, and Zenxith delivers another authentically DIY jangle-pop addiction — stacks of chorus-drenched guitars, tambourine, handclaps and whispered vocals recorded straight to phone — warning: can cause serious addiction if used for more than three days.

Jangle Pop releases

Segunda Mano by La Mano de Cervantes cover art

“An unpretentious, self-produced power pop record that blends early indie influences with occasional stylistic detours, all driven by a purely underground spirit.”

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Untitled by Hanemoon cover art
38 in stock

“Hanemoon are one of the finest purveyors of jangly riff resonance is jangle-pop modernity”

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