“Thomas Young and his Victims of the New Math project take us deep into the heart of jangly alt. lo-fi pop with his permanent sense of originality...”
Guitars blazing from every angle: Das Schwat conjures a 'wall of sound' built not from orchestras but from a host of different guitars and a pulsating rhythm section on this elegantly crooned indie-rock gem, while No Museums juxtaposes aural layers of fuzz that whirrs and grinds atop the most jangly of melodic underlays. Victims of the New Math takes jangly alt. lo-fi pop deep into original territory, and Zenxith delivers another authentically DIY jangle-pop addiction — stacks of chorus-drenched guitars, tambourine, handclaps and whispered vocals recorded straight to phone — warning: can cause serious addiction if used for more than three days.
“Thomas Young and his Victims of the New Math project take us deep into the heart of jangly alt. lo-fi pop with his permanent sense of originality...”
“Able to juxtapose all manner of aural layers with fuzz that whirrs and grinds with the most jangly of melodic underlays”