“Over the course of several releases on our Subjangle label it is has been wonderful to see this talented jangly, college rock acts' fanbase and critical acclaim increase beyond measure.”
Jangle guitars and bold reinventions abound: The National Honor Society surge with swirling electro-pop energy and unapologetic resilience, while Red Cavalry writhe with infectious jangly indie-pop energy and McCarthy-style lyrical agitation. Baby Combat deliver fuzzy, hook-led jangly post-punk at its finest, and Cashell balances sunny nostalgia with listless melancholy across bright lo-fi indie-pop gems. Mythical Motors celebrates twenty years of pioneering crushed lofi power-pop, while Dino DiMuro imagines returning to childhood streets as the person he is now, in sweet lo-fi reverie.
“Over the course of several releases on our Subjangle label it is has been wonderful to see this talented jangly, college rock acts' fanbase and critical acclaim increase beyond measure.”
“like early R.E.M. or any number of other groups, obscure to popular, ranging from North Carolina to New Zealand and beyond”
“'The EP is a shimmering beauty that has broken my heart in several places..' Alan Corr, RTE Entertainment”
“As he should. For in Youth Club Is Over he continues to make the musical hinterland between the subdued melodic intent of recent era Business of Dreams and Wedding Present style buzz guitars, whils...”
“a dream garage pop band. Halfway between Surf Curse, Joy Again, and Beach Fossils, all sprinkled with colored pencils and Micro Machines...'”
“...Matt Addison and his Mythical Motors solo recording project is the one true pioneer of todays, jangly, lo-fi power-pop scene”
“...another superb noise-pop act from a South East Asia area that is rapidly cornering the market in fey fuzz-pop.”
“Quirky, jangle that claims the musical hinterland between the 1990s indie-pop and todays bedroom-pop modernity”
“The perfect juxtaposition of dry slacker pop, incidental jangled riffs and fuzz-laden aural textures.”