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Dreamy riffs and jangled undertones collide: Vain Pursuit delivers the simultaneous sound of hope and despair wrapped in dreamy jangle-pop textures and a post-punk undertow, while No Museums juxtaposes fuzz that whirrs and grinds with the most jangly of melodic underlays. Victims of the New Math takes us deep into jangly alt. lo-fi pop with a permanent sense of originality, and Zenxith keeps it defiantly DIY with lo-fi jangle and indie pop recorded straight to phone on his 18th album. Robertson rounds things out with chiming acoustic pop flavoured with psychedelia, folk rock and Americana.
The Sentimental Tourists
The Sentimental Tourists (EP)
'The EP is a shimmering beauty that has broken my heart in several places..' Alan Corr, RTE Entertainment
No Museums
Youth Club Is Over + There's Always An End (And Always Another) (Double album)
As he should. For in Youth Club Is Over he continues to make the musical hinterland between the subdued melodic intent of recent era Business of Dreams and Wedding Present style buzz guitars, whilst still dipping regular toes into the genuine indie pop introspection of a Glenn Donaldson’s, The Reds, Pinks and Purples style aesthetic.
Billy Bonbon
Billy EP (+ Complete 'Up' EP as bonus tracks)
a dream garage pop band. Halfway between Surf Curse, Joy Again, and Beach Fossils, all sprinkled with colored pencils and Micro Machines...'