Guitars blazing from every angle: Das Schwat conjures a 'wall of sound' built not from orchestras but from a host of different guitars and a pulsating rhythm section on this elegantly crooned indie-rock gem, while No Museums juxtaposes aural layers of fuzz that whirrs and grinds atop the most jangly of melodic underlays. Victims of the New Math takes jangly alt. lo-fi pop deep into original territory, and Zenxith delivers another authentically DIY jangle-pop addiction — stacks of chorus-drenched guitars, tambourine, handclaps and whispered vocals recorded straight to phone — warning: can cause serious addiction if used for more than three days.

Jangle Pop releases

Belmont EP by John McCabe cover art
57 in stock

“Over the course of several releases on our Subjangle label it is has been wonderful to see this talented jangly, college rock acts' fanbase and critical acclaim increase beyond measure.”

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Outdoor Drama by Hamlet cover art
42 in stock

“like early R.E.M. or any number of other groups, obscure to popular, ranging from North Carolina to New Zealand and beyond”

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