Chiming guitars and restless energy collide: The Freebies splice '60s girl-group charm with indie-punk turbulence and Adam Green-style twee-pop closing tracks that demand repeat listens, while Das Schwa craft a 'wall of sound' built not from orchestras but a host of different guitars and a pulsating rhythm section. Hidden Eyes deliver jangly indie and noise-pop gems across a long-awaited double album from the enigmatic Lou and Dylan, and Trademark Issues offer their trademark defiant indie-pop 'difference' with irreverence that sums up the true Bandcamp spirit. No Museums juxtaposes fuzz that whirrs and grinds with the most jangly of melodic underlays, while Victims of the New Math takes jangly alt lo-fi pop deep into gloriously original territory all its own.

Jangle Pop releases

Eat It While You Can (EP) by Hideaway cover art

“...another superb noise-pop act from a South East Asia area that is rapidly cornering the market in fey fuzz-pop.”

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A Simple Life II (EP) by The Kind Hills cover art

“Quirky, jangle that claims the musical hinterland between the 1990s indie-pop and todays bedroom-pop modernity”

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