“'The EP is a shimmering beauty that has broken my heart in several places..' Alan Corr, RTE Entertainment”
Guitars blazing from every angle: Das Schwat conjures a 'wall of sound' built not from orchestras but from a host of different guitars and a pulsating rhythm section on this elegantly crooned indie-rock gem, while No Museums juxtaposes aural layers of fuzz that whirrs and grinds atop the most jangly of melodic underlays. Victims of the New Math takes jangly alt. lo-fi pop deep into original territory, and Zenxith delivers another authentically DIY jangle-pop addiction — stacks of chorus-drenched guitars, tambourine, handclaps and whispered vocals recorded straight to phone — warning: can cause serious addiction if used for more than three days.
“'The EP is a shimmering beauty that has broken my heart in several places..' Alan Corr, RTE Entertainment”
“As he should. For in Youth Club Is Over he continues to make the musical hinterland between the subdued melodic intent of recent era Business of Dreams and Wedding Present style buzz guitars, whils...”