Confrontation, resistance, and refusal to be controlled: I Ya Toyah's FEELINGS is a hard-edged industrial statement that turns the mirror on modern humanity and doesn't look away, while Apology blurs the line between justified pain and entitlement with crushing riffs and hypnotic industrial grooves. Montreal's The City Gates' Chimera unfolds like a nocturnal landscape — brooding post-punk rhythms meeting shimmering shoegaze walls of sound. Coma Beach's Passion/Bliss closes their Beckett-fueled triptych in a five-track fever dream caught between punk abrasion and post-punk hallucination, and som som's safe space offers lo-fi but lush introspection on loss, moss, and coming to terms with yourself.

Alternative Rock releases

Lenny and the D by Lenny and the D cover art

“Lenny and the D's self titled is a smash up of fast paced indie rock with introspective, wall-of-sound vocal harmonies, all wrapped up in a groovy, self-aware package.”

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Chimera by The City Gates cover art
52 in stock

“On the critically acclaimed new album 'Chimera,' The City Gates blend post-punk, shoegaze, and darkwave into a reverb-heavy, atmospheric sound driven by pulsing basslines and cinematic intensity.”

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Passion/Bliss by Coma Beach cover art

“A five-track fever dream caught between punk abrasion and post‑punk hallucination”

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