Waiting for Godot never sounded this loud: Coma Beach's I Won't Listen kicks off their "Scapegoat Revisited" triptych with four violent jolts of punk rock refusal and post-punk gloom, and A Madman's Dream/Mind Descending follows with fever-dream urgency fusing punk's feral bite with razor-edged post-punk precision. Nelson Comes To Visit turns up the heat with sparkly hardcore — soaring synths, chiptune riffs, and crushing guitars capturing wealth inequality and the creep of fascism on a world on fire. Wooden Crates keep it punchy with fun rhythms and relatable lyrics tackling overstimulation and the dangers of monetized online rage, while 8D6 chart an emotional pop-punk journey through Middle-Earth with just the right dash of folk and metalcore.

Pop Punk releases

A Madman's Dream/Mind Descending by Coma Beach cover art

“'A Madman's Dream/Mind Descending' fuses punk’s feral bite with post‑punk’s cold precision, lurching between fever‑dream urgency and razor‑edged clarity”

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Passion/Bliss by Coma Beach cover art

“A five-track fever dream caught between punk abrasion and post‑punk hallucination”

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The Scapegoat's Agony by Coma Beach cover art

““The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil”

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In My Head by Wooden Crates cover art

“A crunchy punk track about political differences between two people become moral differences that can't be overlooked.”

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I Won't Listen by Coma Beach cover art

“Coma Beach’s 'I Won’t Listen' cuts like shards of broken glass — four violent jolts of punk rock refusal and post-punk gloom.”

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