From the singer-songwriter underground, where outtakes meet allegory: Barrelly Ego's Bearly Eagle delivers a cathartic socio-geo-political anthology — the bear who wants to be an eagle who cried wolf — while Brian Jin's Horizons finds the sacred in Hawaiian-cowboy-ukulele-jazz and dream-dictated Lennon cameos. Alexei Shishkin's Good Times captures a surrealist four-day studio escape with no blueprints and loose bass lines, and SMIC's The Upside (Of Losing Everything) strips things back to something quieter, heavier, and built to stick around. l'anarchiste heureux's Le Pneu Libre presents a rediscovered 1977 chanson française artifact where a flat tyre becomes a meditation on freedom.

Singer Songwriter releases

Bearly Eagle by Barrelly Ego cover art

“The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf.”

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The Upside (Of Losing Everything) by SMIC cover art

“A slow, atmospheric alt-indie track about survival, finding clarity, and finally touching down on solid ground.”

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Good Times by Alexei Shishkin cover art

“A collage of spur-of-the-moment inspiration”

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Western Sun by Solid Blood cover art

“Math-y, dreamy and emotive post-rock indie solo project from Rue Defence founder Solid Blood”

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Sucky Tart by Jack Hayter cover art
7 in stock

“Haunting, gorgeous, and occasionally unhinged solo EP from Jack Hayter (Hefner / Papernut Cambridge / Dollboy).”

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Horizons by Brian Jin cover art
33 in stock

“From dream dictations to Hawaiian cowboy jazz — Horizons is here.”

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Le Pneu Libre by l'anarchiste heureux cover art

“Un album perdu en 1977, retrouvé par hasard au bord de la route.”

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