From the singer-songwriter vaults, where demos become destiny: Matt DeMello's Jennifer's Appendix, Vol. 1 unearths garage rock pivots, anti-folk looseness, and GarageBand confessions from the shadow of 2014 — Paul Simon to Wolf Like Me, lovingly restored. Solid Blood's Western Sun brings math-y, dreamy, emotive post-rock indie from the Rue Defense universe, while Alexei Shishkin's Good Times captures a surrealist four-day studio escape built on loose bass lines and zero blueprints. Jack Hayter's Sucky Tart offers world-beaten balladry that Pitchfork called "weariest" and BBC 6 Music likened to "Tom Waits running amok in a second-hand music shop."

Singer Songwriter releases

after the sun hit the roof by Sophie Noel cover art

“Blending art folk, dusk rock and what Noel calls “forest floor pop,” 'after the sun hits the roof' moves between hazy guitars, dreamy piano passages, vintage pop melodies, and an undercurrent of ee...”

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Bearly Eagle by Barrelly Ego cover art

“The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf.”

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The Upside (Of Losing Everything) by SMIC cover art

“A slow, atmospheric alt-indie track about survival, finding clarity, and finally touching down on solid ground.”

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Good Times by Alexei Shishkin cover art

“A collage of spur-of-the-moment inspiration”

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Western Sun by Solid Blood cover art

“Math-y, dreamy and emotive post-rock indie solo project from Rue Defence founder Solid Blood”

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Sucky Tart by Jack Hayter cover art
5 in stock

“Haunting, gorgeous, and occasionally unhinged solo EP from Jack Hayter (Hefner / Papernut Cambridge / Dollboy).”

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Horizons by Brian Jin cover art
26 in stock

“From dream dictations to Hawaiian cowboy jazz — Horizons is here.”

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Le Pneu Libre by l'anarchiste heureux cover art

“Un album perdu en 1977, retrouvé par hasard au bord de la route.”

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