From the songwriter's notebook to the soul: Barrelly Ego's Bearly Eagle tackles a decade of socio-geo-political upheaval with cathartic, allegorical bite — the bear who wants to be an eagle who cried wolf. Brian Jin's Horizons finds divinity in strange places, from Hawaiian-cowboy-ukulele-jazz to dream-dictated lyrics (yes, John Lennon sang one in his sleep), while SMIC's The Upside (Of Losing Everything) trades noise for something "quieter, heavier, and built to stick around." L'Anarchiste Heureux's Le Pneu Libre drifts through a poetic, nostalgic France where a flat tire becomes a meditation on freedom.

Singer Songwriter releases

Bearly Eagle by Barrelly Ego cover art

“The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf.”

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The Upside (Of Losing Everything) by SMIC cover art

“A slow, atmospheric alt-indie track about survival, finding clarity, and finally touching down on solid ground.”

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Good Times by Alexei Shishkin cover art

“A collage of spur-of-the-moment inspiration”

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Western Sun by Solid Blood cover art

“Math-y, dreamy and emotive post-rock indie solo project from Rue Defence founder Solid Blood”

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Sucky Tart by Jack Hayter cover art
7 in stock

“Haunting, gorgeous, and occasionally unhinged solo EP from Jack Hayter (Hefner / Papernut Cambridge / Dollboy).”

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Horizons by Brian Jin cover art
33 in stock

“From dream dictations to Hawaiian cowboy jazz — Horizons is here.”

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Le Pneu Libre by l'anarchiste heureux cover art

“Un album perdu en 1977, retrouvé par hasard au bord de la route.”

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