“Sixty minutes, three movements, one immersive soundscape”
Lose yourself in the soundscape: Willebrant's The Coming Rains EP conjures meditative evenings through soft pedal piano, fretless bass, and field recordings in a trans-continental collaboration between Australia and India, while The Knight Seas delivers slowed and reverb-drenched bass and ebow guitar for the somnolent. Nicola Olla's Threefold weaves warmth and roughness across sixty minutes of slowly evolving ambient movements composed for a Sardinian museum exhibition, and The Black Cube's Thing Thing No Gap hits back with dirty breakbeats, drones, and analogue nastiness. Tel Quel's Decaying Lull charts a descent from glitchy industrial percussion to deep ambient field recordings captured in Japan's Yoshino Kumano National Park, and Eric Hausmann's Slow Ambient Dub blurs bass-heavy dub grooves with sirens and conflict-haunted field recordings into a cinematic protest.
“Synth Aesthetic Imagery is an immersive sonic journey into embodiment, identity, and relational experience.”
“Re-imagined audio recording into a surreal and glitchy, electronic soundscape, is this real?”
“A selection of reinterpretations, live studio takes, rehearsals, live video and label compilation appearances.”
“When the noise fractures, what’s left is the lull—a crumbling five-track descent into ambient drift.”
“A meditative yet unsettling dub odyssey, where heavy basslines and ambient textures echo with the hidden costs of war.”