“Instrumental synthesized piano pieces, in a classical/neoclassical way, developed without repetitions or sections.”
From the concert hall to the cosmos: Dino DiMuro's Fill It Up With Regular tears through grungy lead guitars, wild proggy keyboard excursions and Beefheartian crunch on his upcoming vinyl debut, while Song for a Gorgeous Blonde's Höstaffären två celebrates their 50th release with gothic strings, relentless beats and louder guitars dramatizing Autumn Affairs better left to the imagination. Jav Grojas's Ocean of Planck Foam navigates dual conceptual axes of ocean and quantum unreality in a neoclassical-electronica vein, and his SynthPiano Pieces unfolds through-composed classical piano landscapes without repetition or sections. His Variace weaves loose variations through piano, strings and organ across three gapless movements, while Song for a Gorgeous Blonde's Till tornet övergivet charts ambient regrets of a shattered marriage through drums, strings and a rock finale that might have visited Strawberry Fields.
“Instrumental synthesized piano pieces, in a classical/neoclassical way, developed without repetitions or sections.”
“Our 50th release is a sequel to the popular classically-based Höstaffären with louder guitars!”
“Neoclassical pieces with synthesized strings and pads, in a space uncanny unsettling aymosphere.”
“Instrumental pieces, in a neoclassical electronica mode, about an ocean and, simultaneously, about the quantum uncertainty.”
“Four instrumental pieces using synthesized guitar sounds, in a classical-neoclassical-jazz fusion vein.”
“Instrumental neoclassical music, with fantasy, dreamy melancholical tracks in a quiet ambient..”
“Instrumental synthesizer piece in a classical/neoclassical way, organized in three gapless movements.”
“A mix of grungy lead guitars, wild proggy keyboard excursions and Beefheartian crunch.”