Eighty-eight keys, infinite darkness: syn.terra's Kharybdis serves piano-driven industrial jazz swamp grooves with horns, upright bass, and dangling vines — a bluesy sunrise stroll through the mire — while Mellow Evil fuses jazz stylings with grinding guitars, pounding double-bass drums, and brass screams into something gloriously fetid. Jav Grojas's Ocean of Planck Foam charts neoclassical-electronica waters where ocean and quantum uncertainty collapse into one, and Strolling to Nowhere traces a half-real, half-initiatory journey through neoclassical-jazz piano from morning to evening. Jacob's Fall's In Wonder closes with shimmering guitars and cinematic soundscapes, melancholic yet uplifting.
Piano releases
“Instrumental pieces, in a neoclassical electronica mode, about an ocean and, simultaneously, about the quantum uncertainty.”
“Instrumental neoclassical music, with fantasy, dreamy melancholical tracks in a quiet ambient..”
“Piano-driven industrial jazz swamp grooves, with horns, synths, upright bass, and bubbling marshes.”
“Piano-driven industrial progressive swamp metal, straight from the rotted undergrowth.”