“Four instrumental pieces using synthesized guitar sounds, in a classical-neoclassical-jazz fusion vein.”
Six strings, infinite rabbit holes: the microphone is 3 electric guitars records a 1901 piano through three electric guitars plugged into a high-voltage potato — logically proven, sonically unhinged. Qid Love's Sorry For Your Loss spreads across music, art, and poetry as a virtual exhibit where "hatred is a blanket smothering the soul," while Draisine's R.R.A.T.S. — freshly mastered on its 10th birthday — voyages through improvised guitar, synth, and binaural noise inspired by Johnny Cash and rotating radio transients. David Dellacroce's Quiet Guitar for Loud Parties sounds like "a household appliance achieving enlightenment," and keiko tsuda's Fata Morgana serves spicy guitar and hot electronic drums — experimental, cinematic, and danceable.
“Four instrumental pieces using synthesized guitar sounds, in a classical-neoclassical-jazz fusion vein.”
“This nostalgic two-track single is a tribute to the creators of Pong, Ralph Baer, Nolan Bushnell and Alan Alcorn, but it also evokes my childhood, enjoy!”
“Atmospheric guitar, creating a mixture of modal melodies, drowsy drones, chordal consonance, and arbitrary alliteration.”
“a flimsy, but decidedly bold voyage into shallow waters of guitar and synth noise, on loop. Use heaphones for binaural !”
“Keiko Tsuda deliver an angular, fiery blend of guitar and electronic drums — a raw, cinematic soundscape where improvisation meets experimental groove.”