Six strings, infinite dimensions: Qid Love's Sorry For Your Loss arrives as a virtual asynchronous exhibit spanning music, artwork, and poetry — "hatred is a blanket smothering the soul" — while Dexember wraps experimental improvised guitar and electronics in melancholy, angst, and gender fuzziness, made entirely in pajamas. The Death of Good processes personal and collective grief through morning guitar meditation, and the microphone is 3 electric guitars captures a 1901 piano through three electric guitars wired into a high-voltage potato — because the microphone is 3 electric guitars. Draisine's R.R.A.T.S., freshly mastered on its 10th birthday, takes a bold voyage into guitar, synth, and voice noise — a cosmic tribute to Johnny Cash and rotating radio transients.