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Six strings, infinite possibilities: Qid Love's Dexember wraps experimental improvised guitar and electronics in melancholy, angst, and gender fuzziness, while Sorry For Your Loss and The Death of Good channel raw collective grief across music, art, and poetry. the microphone is 3 electric guitars captures a 1901 piano through a high-voltage, potato-amplified guitar microphone for gleeful signal blight, while Eric Hausmann's Ambient Specter blends orchestral lushness with electric guitar into a hypnotic, drama-score darkness. Draisine's R.R.A.T.S. offers a bold binaural voyage into guitar and synth noise loops, and David Dellacroce serves folk-jazz acoustic vignettes of modal melodies and drowsy drones for the indifferent listener.
David Dellacroce
Quiet Guitar for Loud Parties
Atmospheric guitar, creating a mixture of modal melodies, drowsy drones, chordal consonance, and arbitrary alliteration.
Draisine
R.R.A.T.S.
a flimsy, but decidedly bold voyage into shallow waters of guitar and synth noise, on loop. Use heaphones for binaural !
keiko tsuda
Fata Morgana
Keiko Tsuda deliver an angular, fiery blend of guitar and electronic drums — a raw, cinematic soundscape where improvisation meets experimental groove.