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Six strings, infinite possibilities: Qid Love's Dexember wraps experimental improvised guitar and electronics in melancholy, angst, and gender fuzziness, while Sorry For Your Loss and The Death of Good channel raw collective grief across music, art, and poetry. the microphone is 3 electric guitars captures a 1901 piano through a high-voltage, potato-amplified guitar microphone for gleeful signal blight, while Eric Hausmann's Ambient Specter blends orchestral lushness with electric guitar into a hypnotic, drama-score darkness. Draisine's R.R.A.T.S. offers a bold binaural voyage into guitar and synth noise loops, and David Dellacroce serves folk-jazz acoustic vignettes of modal melodies and drowsy drones for the indifferent listener.
