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“An EP to be the soundtrack to your spooky season!”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
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“blurring the lines between the power pop and singer songwriter genres”
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“Bad Smell is a soft rock ballad about a single mother who is unlucky in love.”
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“Presenting 'Waiting for the Moon' by Dubbsy, featuring the talents of local musicians Dawson Lee, Marc Hendrix (Courtesy of Teardrop Toons), Chris Breezydreads of Expereyemental, and the lovely Dey...”
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“jangly sentimental indie tracks recorded bootleggily”
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“A collection of Dino avant-rock songs with vocals removed using new technology”
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“Progressive rock, dynamic and crescendo-building heavy modern track.”
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“Clocking in at only 2:35, Jeremy Abrams' 'Blindside' delivers everything you’d want in a pop punk anthem—tight drums, a singalong chorus, varied arrangement, and a headbanging-worthy guitar solo.”
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“A quirky lofi pop song resurrected from the past!”
Featured
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“A wild & baroque musical ride, proggy without being snobby”
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“like a really bad ween parody”
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“A rollicking remembrance of a friendship interrupted, spoken in the language of Rock.”