From the singer-songwriter vaults, where demos become destiny: Matt DeMello's Jennifer's Appendix, Vol. 1 unearths garage rock pivots, anti-folk looseness, and GarageBand confessions from the shadow of 2014 — Paul Simon to Wolf Like Me, lovingly restored. Solid Blood's Western Sun brings math-y, dreamy, emotive post-rock indie from the Rue Defense universe, while Alexei Shishkin's Good Times captures a surrealist four-day studio escape built on loose bass lines and zero blueprints. Jack Hayter's Sucky Tart offers world-beaten balladry that Pitchfork called "weariest" and BBC 6 Music likened to "Tom Waits running amok in a second-hand music shop."

Singer Songwriter releases

Horizons by Brian Jin cover art
25 in stock

“From dream dictations to Hawaiian cowboy jazz — Horizons is here.”

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Le Pneu Libre by l'anarchiste heureux cover art

“Un album perdu en 1977, retrouvé par hasard au bord de la route.”

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As Petals Drift: Live Field Recordings by Zane Alexander cover art

“A collection of acoustic/folk live field recordings of existing songs and a few new debuts from singer-songwriter Zane Alexander”

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Stay by Villahermosa cover art
42 in stock

“As the petals float away, I hope that you will remain...”

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Feebling by Never the Bridle cover art

“A determined 25 minutes of lofi indie self-reflection.”

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Outer Darkness Between Worlds by Zane Alexander cover art

“Lo-fi acoustic songs about identity and belonging, sung across cultures, sung in French and Spanish”

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A Place That I Called Home by Zane Alexander cover art

“A lo-fi, live-first acoustic EP about loss and the quiet collapse of the world around us.”

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