- All You've Ever Wanted in Entertainment 1:04
- Through You, I Think I Understand 3:13
- Welcome Back, Everyone (feat. Malcolm Gladwell) 1:05
- Dancing with Devils 3:11
- Tell Me (Over and Over) 3:09
- Psycho Killer 5:22
- Wolf Like Me / Timber (feat. Liz Wagner Biro) 6:52
- Wholescale Supernova [Live at Sidewalk Cafe, NYC] 1:04
- Kitty's Dead Too / Backstreets / Astral Weeks [Live at Sidewalk Cafe, NYC] 9:55
- (A Typical) Candidate (for Rampage Violence) [Live at the Sidewalk Cafe, NYC - First Public Performance] 4:09
- God Only Knows 2:07
- Headvoices Sampler, or Escapist's Theme ("Safe Enough" Tease) / Community Pool (feat. Malcolm Gladwell) 4:37
- There's Nothing I Believe In More 3:28
Matt DeMello
Jennifer's Appendix, Vol. 1: 'To the Person I'll Always Be' (...Revisited)
Jennifer’s Appendix Vol. 1 collects studio outtakes, demos, covers, and transitional material recorded throughout the long creative shadow of 2014’s 'There’s No Place Like Nowhere'. After the album’s homemade synthesizer-orchestral arrangements initially left much of DeMello’s immediate circle unsure what to make of it, he temporarily pivoted back toward garage rock, power pop, anti-folk looseness, and reinterpretations of the Great American Songbook while continuing to expand the emotional and musical vocabulary of the broader discography.
Covers of artists like Paul Simon, Van Morrison, Bruce Springsteen, and the Beach Boys help situate the material within the larger constellation of influences orbiting the project, while originals like “Escapist’s Theme” point toward the more emotionally maximalist worlds that would later emerge on records like 'Confetti in a Coalmine' and 'Cassandra Abandoned I & II'.
Two tracks — a cover of Wolf Like Me and the irreverent “Escapist’s Theme” — were recorded and mastered by longtime collaborator Alex Busi at The SPACE Studios in Huntington, New York between August and October 2015. Much of the remaining material originated through GarageBand sessions, voice memo recordings, and iPod-era home demos before receiving a long-overdue sonic restoration and remaster in 2020, inspiring the collection’s “Revisited” subtitle
Salieri Records







