Sequencers locked and new wave hearts racing: Song for a Gorgeous Blonde's Avlägsna förmögenheter peers into "distant fortunes" with lush orchestration balancing hopefulness and trepidation. The Mystic Underground's We Could Be Fugitives cranks the tempo to dancefloor-ferocity, while SOFT RIOT's Crux channels early '80s DIY synth spirit through minimalist darkwave and EBM. Melbourne's Modern Ideas crafts cinematic garage synthpop where "plastic dreams and electric romance meet machines humming with human desire," and Chris of Wilderness's Weeks Like Worms dives into sonically dense, paranoid electronics sampled from live instruments with an off-kilter, panopticon-poking edge.

New Wave releases

Weeks Like Worms by Chris of Wilderness cover art

“Described by one youtube connoisseur as CIA torture music, but I'm pretty sure they're wrong.”

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Crux by SOFT RIOT cover art
112 in stock

“The early '80s DIY synth spirit comes alive with SOFT RIOT's Crux, combining synth-based post-punk, new wave, EBM, and more.”

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