Synths, static, and new wave swagger: Song for a Gorgeous Blonde's Bor i bergen resurrects a 1985 Casio-heavy keyboard demo with crazy keys, chunky guitars, and tumbling drums in a musical celebration of the mountains. The Mystic Underground's We Could Be Fugitives turns up the tempo to maximum dancefloor ferocity — a clarion call to "take your lover by the hand and run away from your inhibitions." SOFT RIOT's Crux cruises through minimalist darkwave and EBM with subtle humor and mild psychedelia, while Melbourne's Modern Ideas conjures dramatic, cinematic garage synthpop where "plastic dreams and electric romance" meet machines humming with human desire. Montreal's Glass Dolls rounds things out with bedroom pop/post-punk meditations on love and grief.

New Wave releases

Weeks Like Worms by Chris of Wilderness cover art

“Described by one youtube connoisseur as CIA torture music, but I'm pretty sure they're wrong.”

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Crux by SOFT RIOT cover art
113 in stock

“The early '80s DIY synth spirit comes alive with SOFT RIOT's Crux, combining synth-based post-punk, new wave, EBM, and more.”

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