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Immersive soundscapes emerge: Noise For No One fuses handcrafted instruments and modular synth with antique piano accordion for divine electroacoustic compositions, while The Shining Tongues delivers lush noir-pop and gothic folk intensity. Lars Haur explores agony in our agonizingly monochrome constructed world, and Jeff Surak crafts deconstructed electronic pop from field recordings and household debris.
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Ken Wohlrob
The Conclusion
Layers of organs, synthesizers, fuzzed-out guitars, string instruments, and electronic noise, the soundscape slowly builds over the course of seven minutes, weaving contrasting melodies and pulsing tones
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julien demoulin
Ephemeral Maps
Slowly morphing soundscapes inspired by JG Ballard's 'Drowned World'