““Recorded live and largely improvised at Washington D.C.’s Black Cat, EVILARTFORM blends electro-Sufi mysticism, desi goth atmospheres, and raw protest energy into an unrepeatable sonic ritual.””
From the shadows of the dance floor: The Axiom Divide emerges with debut album Halo Effect — industrial rhythms colliding with operatic grandeur, exploring love as both sanctuary and battlefield. Ghosts In The Graveyard bring scorching goth rock energy to their cinematic cover of Debonair, previewing their fully reinvented Monsters for the Masses: Resurrected. shelovesmolly feat grimslilreaper get the Kota Kira treatment on kiss666 — rebuilt as cold, hypnotic witch house with two voices circling like ghosts. Chalice Sect closes their first chapter with Finis Initii, pulsating EBM-charged darkwave built for the goth club floor, while Fax Modem haunts dead technologies with debut single Old Ghosts — heavy-sampled witch house steeped in industrial undertones.
““Recorded live and largely improvised at Washington D.C.’s Black Cat, EVILARTFORM blends electro-Sufi mysticism, desi goth atmospheres, and raw protest energy into an unrepeatable sonic ritual.””
“Music has always been more than sound to me - it is space. I don’t compose; I construct. I build architectures where one can live, breathe, disappear. And Inner Berlin is one of those architectures...”
“Venereal Love is a song about lust and repression drenched in seedy beats and sensual music”
““Ghosts in the Graveyard is back from the abyss with ‘I Am the Dark’—a blistering deathrock gut-punch that dares you to face your demons head-on.””
“Move Out (apt. 3033) distills five years of Post-Punk, Synthpop, and Coldwave from the depths of appartement 3.”
““EVIL SEEDS” feels like a hallucinogenic tantrum in a world gone numb — electric, grotesque, and poetic in its nihilism.”