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Inner Berlin

Music has always been more than sound to me — it is space. I don’t compose; I construct. I build architectures where one can live, breathe, disappear. And Inner Berlin is one of those architectures. It’s not an album, it’s a city that exists outside of time. A city you carry within.

When I began working on this project, I wasn’t thinking about genres. I was thinking about emotions that defy words. About those moments when you walk down a street and everything suddenly slows down, becomes almost unreal. When the light from a streetlamp feels warmer than usual. When the sound of footsteps becomes the rhythm of your inner state.

I used 8D not as an effect, but as a dimension. I wanted the music not just to be heard — I wanted it to surround you. To be like air, like mist, like a memory that never fades. I searched for textures you could feel on your skin. Sounds that don’t explain, but invite.

Inner Berlin is an attempt to build a bridge between analog and digital, between industrial and intimate, between the city and the soul. It’s an album about inner movement, about rethinking, about how technology can become poetic — if we let it.

I don’t know if others will hear in this album what I hear. But if even one person feels less alone because of it — then it was worth it.

Music is not form. It is breath.

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