“A mix of grungy lead guitars, wild proggy keyboard excursions and Beefheartian crunch.”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
“A mix of grungy lead guitars, wild proggy keyboard excursions and Beefheartian crunch.”
“90s-tinged alternative, grunge and shoegaze music with blended with modern sound to craft melodic rock songs with big feelings.”
“A modern day homage to the sound of Portland's alternative rock music scene during the 90s.”
“A love letter to 90s alternative rock for those who watched MTV's 120 Minutes every Sunday.”
“As if the angry music you listened to in high school grew up and started listening to NPR”
“Raw grunge meets dreamy psychedelia in The Cracker’s debut album 'Heaven', created in Seoul.”
“Has one of the finest early 90s pre-Britpop jams been dug out of the archives, despite being recorded in 2025?”