“A mix of grungy lead guitars, wild proggy keyboard excursions and Beefheartian crunch.”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
“A mix of grungy lead guitars, wild proggy keyboard excursions and Beefheartian crunch.”
“A Rehearsal recording of one of our best Horrorpunk tracks in all its rough, raw, primitive, DIY glory.”
“An album of wild rock and keyboard-based songs built on drum machines, loops and samples.”
“6 minutes of Rock n Roll bliss that transcending moment when you first heard rock for the first time”
“For those navigating the chaos of life, a powerful reminder that love and resilience can guide us through even the darkest storms.”