13 in stock
“RF release their jangliest, most baroque and thoughtful album yet, but maintain 'Pavement playing Teenage Fanclub” mission statement”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
“Crunchy guitars and two-part vocal harmonies; power pop influences distorted through 90s alt rock sensibilities.”
28 in stock
“TRÄUMEN is my third full-length album, blending my indie rock roots with psychedelic and ambient textures, experimental production, and genre-bending songwriting to reflect my growth as an artist a...”
16 in stock
“I Ya Toyah Reveals Cover of Iconic Nine Inch Nails Hit 'Closer'”
23 in stock
“German Electro-Industrial Collective PAHL! Release Cybernetic Single “Digital Oblivion””
17 in stock
“Dark ‘80s underground sounds influence a new dimension of body music”
27 in stock
“A five-track fever dream caught between punk abrasion and post‑punk hallucination”
23 in stock
““Walk Through Ashes” is a song about facing the darkness, embracing the scars, and finding the strength to keep moving forward. If you’ve ever had to fight your way through the fire, this one is fo...”
129 in stock
“Not all those who wander are lost... But many are.”
3 in stock
““The Scapegoat’s Agony' — Coma Beach’s razor‑sharp blast of punk catharsis and existential turmoil”
14 in stock
“lo-fi but lush introspective indie about coming to terms with yourself”
11 in stock
“A raw, existential blast of punk‑driven despair and dark wit — Coma Beach’s fractured odyssey, remixed and resurrected”