When the darkness gets loud and confrontational: I Ya Toyah's FEELINGS is a hard-edged industrial statement that turns the mirror on modern humanity — biting irony, unapologetic force — while Apology doubles down with crushing riffs and hypnotic grooves, blurring the line between justified pain and dangerous entitlement. Montreal's The City Gates' Chimera pulls you into a nocturnal landscape of post-punk urgency and shoegaze atmospherics — brooding rhythms meeting shimmering walls of sound — while Coma Beach's A Madman's Dream/Mind Descending fuses punk's feral bite with Beckett-fueled existential cold precision. som som offers lo-fi relief with moody verses exploding into noise-pop euphoria, and Taste Lips keeps the post-punk energy surging with upbeat riff-driven grit.
The Crabs U.K.
Swampthing (Single)
A Rehearsal recording of one of our best Horrorpunk tracks in all its rough, raw, primitive, DIY glory.
Mario de Sa
LAST DANCE
'Last Dance' - The elegant tragedy of romance's end through the metaphor of a final waltz, opening the ONE album's philosophical exploration of human relationships.