“Dead Voices on Air’s Mothcomma pushes the project’s four‑decade legacy forward with a transatlantic, genre‑defying album arriving July 17, 2026 via Re:Mission Entertainment.”
“Dead Voices on Air’s Mothcomma pushes the project’s four‑decade legacy forward with a transatlantic, genre‑defying album arriving July 17, 2026 via Re:Mission Entertainment.”
“A remarkable conceptual album where found writings become an intimate journey through art rock, progressive music and experimental songwriting.”
“Futuristic electronic and hybrid tracks for sci-fi games, cyberpunk worlds, and action trailers.”
“Here is a collection of Wooden Crates first five singles. For this era of singles, we set out to make more fun rhythms, and more relatable lyrics.”
“The latest piece in The Shining Tongues' Summer Solstice series. Psychedelic art-rock sound collage full of blinding sunlight and spectral drone.”
“Seven cinematic rock tracks from Japan, built around heavy guitars, piano, strings, and the feeling of trying to move forward when fear keeps pulling you back.”
“A moving conceptual album where progressive rock, folk and intimate songwriting come together in a deeply personal musical journey.”
“It's a reflective folk song that leaves room for listeners to find their own meaning.”
“A psychedelic instrumental made to understand what happened immediately after the big bang”
“Experience the raw crossover thrash assault of Touching The Terror, the latest EP from Brazil's underground force N.W.77”
“This nostalgic two-track single is a tribute to the creators of Pong, Ralph Baer, Nolan Bushnell and Alan Alcorn, but it also evokes my childhood, enjoy!”
“Haunting, gorgeous, and occasionally unhinged solo EP from Jack Hayter (Hefner / Papernut Cambridge / Dollboy).”
“Darren Hayman (Hefner / The French / New Starts) shares one of his earliest solo releases to accompany your rainy Summer holiday”
“focusing on unplanned chaos-rituals built around glossolalia, lo-fi field recordings, small percussion instruments, detritus, found sounds, obsolete technologies, and the unskilled playing of a tho...”