“One day sadness will end. And love will remain.”
Eighty-eight keys, infinite darkness: syn.terra's Kharybdis serves piano-driven industrial jazz swamp grooves with horns, upright bass, and dangling vines — a bluesy sunrise stroll through the mire — while Mellow Evil fuses jazz stylings with grinding guitars, pounding double-bass drums, and brass screams into something gloriously fetid. Jav Grojas's Ocean of Planck Foam charts neoclassical-electronica waters where ocean and quantum uncertainty collapse into one, and Strolling to Nowhere traces a half-real, half-initiatory journey through neoclassical-jazz piano from morning to evening. Jacob's Fall's In Wonder closes with shimmering guitars and cinematic soundscapes, melancholic yet uplifting.
“Hypercondensed miniatures pulling influence from the polyphony of early music, the textures of ambient and lo-fi music, and the sparseness of composers such as Anton Webern, Luigi Dallapiccola and ...”
“Instrumental soundscapes with piano and electric guitar. Nostalgic, ancient and ethereal.”
“Liminal Keys has a mixture of music styles, ranging from downtempo to piano and ambient music.”
“Honestly human and yearning to be free: piano improv concert for 'Fall of Freedom'”