“As he should. For in Youth Club Is Over he continues to make the musical hinterland between the subdued melodic intent of recent era Business of Dreams and Wedding Present style buzz guitars, whils...”
Phone-recorded and proudly unmastered: Zenxith drops his 19th DIY jangle pop album — tambourines, chorus-drenched guitars, handclaps, and a Co-Codamol theme that's "a call for help," limited to 70 CDs on Salt Mine Records. Snatch the Snail trims the fat on their best album yet, recording entirely without a metronome to prioritize feel over polish. Never the Bridle threads modern motherhood, trauma, and anxiety through lofi indie self-reflection with borrowed flutes and Hello Kitty picks. Huda Music keeps it simple and heartfelt, singing of love, sea, sky, and stars, while Zane Alexander captures songs mid-breath as live field recordings — imperfect, immediate, and alive.
“As he should. For in Youth Club Is Over he continues to make the musical hinterland between the subdued melodic intent of recent era Business of Dreams and Wedding Present style buzz guitars, whils...”
“...Matt Addison and his Mythical Motors solo recording project is the one true pioneer of todays, jangly, lo-fi power-pop scene”