From the swamps of jazz to the far reaches of the bizarre: Mother Raspberry and the Lord Prometheus Jon. LXVII sends a time-traveling Monarch across the American political landscape with strange progressive industrial jazz and heavy jaunts — the soundtrack to a film that barely exists. Madness Beyond the Dome completes the Frasier-saluting saga where only madness awaits outside. Meanwhile, syn.terra's Kharybdis conjures piano-driven industrial jazz swamp grooves fit for a sunrise stroll through the bog, and Aeon / Umbrasia closes the trilogy with mechanical jazz dredged from rust-neglect machinery and fetid marshland depths.

Jazz releases

Aeon / Umbrasia by syn.terra cover art

“Piano-driven industrial jazz swamp grooves, with horns, synths, upright bass, and bubbling marshes.”

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