“Contemporary death jazz”
From the swamps of jazz to the far reaches of the bizarre: Mother Raspberry and the Lord Prometheus Jon. LXVII sends a time-traveling Monarch across the American political landscape with strange progressive industrial jazz and heavy jaunts — the soundtrack to a film that barely exists. Madness Beyond the Dome completes the Frasier-saluting saga where only madness awaits outside. Meanwhile, syn.terra's Kharybdis conjures piano-driven industrial jazz swamp grooves fit for a sunrise stroll through the bog, and Aeon / Umbrasia closes the trilogy with mechanical jazz dredged from rust-neglect machinery and fetid marshland depths.