Circuits surging and shadows rising: I Ya Toyah's Closer reimagines Nine Inch Nails' iconic track as a haunting meditation on validation and identity loss, fusing industrial rock with dark electronic textures and cinematic intensity. The Axiom Divide's The Halls of Amenti: Remixes channels Egyptian lore and gothic industrial energy through operatic remixes by Razed In Black, Pygmy Children, and more. Divider's Nought Point Zero arrives with two fresh Portion Control remixes of the chart-topping original, while Cathode Ray Tube's Inferyes delivers four surgically precise tracks blending dub, dancehall, and industrial dancescapes. PAHL!'s Digital Oblivion merges icy '90s electro-industrial with dark-pop to ask what remains of us when everything turns digital, and Slippery When Wet's Storm the Spectrum conjures downtempo experimental electronica using only guitars — zero effects, born in an Arizona monsoon.

Industrial releases

Inferyes by Cathode Ray Tube cover art

“Inferyes is 4 tracks of surgically precise, aurally injected tracks of a perfect album”

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The Halls of Amenti : Remixes by The Axiom Divide cover art

“The Axiom Divide’s remix EP builds on the debut single from their forthcoming album, featuring remixes by Razed In Black, Frontal Boundary, Pygmy Children, Fermion, Dread Risks, I Am Consumer, and ...”

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