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“'Apophenia' is a collage of mangled percussion and chaotic synthesizers exploring abstract sonic relationships thru free association and temporal shifts.”
Transmissions from the experimental edge: Darren Tynan's Tidalectic De/Composition sculpts ambient sound collage from hydrophone field recordings of tidal forces, wind, and time-stretched seabird calls on My Khe Beach, Vietnam. Arcane Synthetic's Revised Reports – Volume 2 revisits earlier material through an unstable lens of dark ambient minimalism — distorted reflections and adjusted transmissions for those already inside the world. Chaircrusher's Slant Tales attempts to reveal the real shape of the entire universe, while Humanfobia's Drag Me to the Witch House conjures ghostly computer music from Rancagua, Chile. MULTIPLAYER's The Seventh Game pays homage to Sega classics, and Julijus Smalinskas navigates the weight of grief.
Experimental releases
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“It's called 'the microphone is 3 electric guitars' because the microphone is 3 electric guitars.”
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“GNOTHI SEAUTON is another stop on Erik Strauss' new journey.”
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“From 'The Druid Queen' by Embracing Discomfort”
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“direct, idiosyncratic and repetitive workouts from munich finest”
“a dusty, lo-fi plunderphonics odyssey of choral loops and little fragments of music lost to time and memory”
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“Described as 'sounding like the bastard son of Genesis P. Orridge and Alice Coltrane'.”
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“Noise oriented ambient electronics”
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“Atmosphere + hard knocking rhythms are abound.”
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“With Electric Forest, I invite you on an immersive journey through a woodland alive with energy, where voltage flows like sap and every tree vibrates with electricity.”