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“A cover version of the final track on Captain Beefheart's 1972 gritty blues album 'The Spotlight Kid.'”
Transmissions from the experimental edge: Darren Tynan's Tidalectic De/Composition sculpts ambient sound collage from hydrophone field recordings of tidal forces, wind, and time-stretched seabird calls on My Khe Beach, Vietnam. Arcane Synthetic's Revised Reports – Volume 2 revisits earlier material through an unstable lens of dark ambient minimalism — distorted reflections and adjusted transmissions for those already inside the world. Chaircrusher's Slant Tales attempts to reveal the real shape of the entire universe, while Humanfobia's Drag Me to the Witch House conjures ghostly computer music from Rancagua, Chile. MULTIPLAYER's The Seventh Game pays homage to Sega classics, and Julijus Smalinskas navigates the weight of grief.
Experimental releases
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“Munange Nyoo a 4-track EP holds a deep place in my heart, built on hard-hitting drum loops from Uganda’s traditional drums , layered grooves, and dance melodies, it’s an experimental sonic journey...”
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“This is the last moment to excite, for the 'Suffocating Swan.'”
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“new experimental breakcore/idm”
“Dark post-industrial murk.”
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“Allow yourself to be disoriented and immersed by this unstable and schizophrenic sonic massacre!”
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“Soundtrack for late night driving - broken melodies and night drones in loop - stitched together in layers of decayed compositions.”
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“A Jazz, Orchestra and Symphonic Folk experiment was cancelled, so I posted some songs for you”
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“a plunge into a sweep abyss of sonic garbage”
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“Music has always been more than sound to me - it is space. I don’t compose; I construct. I build architectures where one can live, breathe, disappear. And Inner Berlin is one of those architectures...”