“The monster isn’t a villain, it’s the tired version of yourself that refuses to give up, even when you want to.”
From the darkness, electricity breathes: Cathode Ray Tube's Suono Y Oblio moves the tiredest souls through heavy rhythm and low-lying drones — "a rebirth through a chasm of noise" — while Stewart Keller's Inky's Sleep OST scores a haunting 2D horror-adventure through dark dreams and otherworldly creatures. Children of Osiris' Abramelin 11 conjures sonic invocations where names become sigils and the archaic mutates into the futuristic, and drexgod's Vinculum Universale tears through ambient jungle and breakcore. The Darts' Eventual Happenstance delivers punkery forged under pressure, while c a r d i o g r a m's Headland spins a Catherine wheel of synthetic and organic sound — a coastal soundtrack for escape.
“The monster isn’t a villain, it’s the tired version of yourself that refuses to give up, even when you want to.”
“Hands in the air, joy on the dancefloor — 3x303 is a love letter to 90s house and the thrill of connection.”
“This exciting collection of original music showcases the diverse and innovative sounds emerging from the Australian electronic music scene.”
“Cinematic post-rock and electronic soundscapes for late-night journeys and immersive headphone escapes.”
““A decade-spanning collection of Omar Pitras Waqar’s EVILARTFORM experiments — glitchy drum machines, mystic synths, and fractured beats that turn noise into ritual and resistance.””
“A space ambient infused story of the betrayal of a lost traveller who only wanted to share their knowledge.”
““EvilArtForm releases Broken Pottery: an electro-Sufi meditation on repair and transcendence, where mantra, dhikr, and electronic improvisation transform cracks into conduits for spirit and sound.””
““A ghostly synth hymn where EVILARTFORM blurs The Knife’s icy minimalism with Björk’s otherworldly fragility, questioning gender, body, and what it means to be free.””
“'Architect of Truth' is about navigating midlife. It explores reconciling with one's past, transcending limitations, and embracing lack.”