“A cover version of the final track on Captain Beefheart's 1972 gritty blues album 'The Spotlight Kid.'”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
“A cover version of the final track on Captain Beefheart's 1972 gritty blues album 'The Spotlight Kid.'”
“The struggle of feeling trapped in a toxic relationship and the painful decision to walk away for self-preservation”
“An outtakes collection of nutty rock from 2014, totally remastered with new overdubs and mixes.”
“A sonic exploration of indie rock with acoustic guitars, cellos and dreamy melodies.”
“Venereal Love is a song about lust and repression drenched in seedy beats and sensual music”
“An introduction to the indie jangle lofi pop band La Mano de Cervantes. This 2025 they will be releasing their second album”
“Tango has been killed by Guy Fieri. Cash resolves to travel through the circles of hell to find Tango.”
“Heavy alternative rock with a progressive edge, thriving on contrasts and driving riffs.”
“A wild ride through influences from punk and hip-hop to 70's rock, Animals is a scathing critique and call to action against a culture that wants to keep us in our place.”