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“Telepaths is gritty, unhinged, literary, chaotic rock and roll. If Lou Reed, William S. Burroughs and Kim Gordon somehow formed a band in 2025, this might be the result - Turn & Work”
Dark currents run deep: I Ya Toyah's WHITE WALLS is a raw confession and an outstretched hand — confronting the invisible distance between how we appear and what we're actually surviving, with proceeds supporting mental health advocacy. Chalice Sect's Finis Initii closes one era with pulsating beats, dancefloor-insistent melodrama, and EBM-charged post-punk darkness. Jacob's Fall's The War We Miss? is sinfully counterintuitive and deeply atmospheric — symphonic, somber, and dipped in the deepest minor. Alxael's Bleed for the Machine fires a high-energy shot straight at the heart of generative AI.
Alternative Rock releases
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“A Rehearsal recording of one of our best Horrorpunk tracks in all its rough, raw, primitive, DIY glory.”
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“Swedish and American collaboration, crossing ambient-electronic beats with proggy melodies”
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“Political protest doom folk metal pulls no punches.”
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“A giddy prog-rock waltz meant to convey the joy of a deep forest insect quest, with occasional classical and showtune shadings.”
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“First solo album from Bill Whitten (ex-St Johnny / Grand Mal)”
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“One album, three worlds — where rock crashes, hip hop flows, and pop soars.”
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“Portuguese-South African alternative rock exploring love, loss, and the architecture of human relationships through philosophical depth.”
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“Pots & Pans Percussion backs a keyboard instrumental that recalls early Mothers”
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“'Last Dance' - The elegant tragedy of romance's end through the metaphor of a final waltz, opening the ONE album's philosophical exploration of human relationships.”
