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“Step into the underworld of Oddville, where the bizarre thrives and the strange becomes sublime.”
Drift into the soundscape: Bello Benischauer's Synth Aesthetic Imagery takes you on an immersive journey into embodiment and identity through experimental synthesizer soundscapes designed for sensing and discovering. Willebrant's Some Things of Sorts collects reinterpretations, live studio takes, and label appearances into a continuous mix worth losing yourself in. insectarium's irrwisch conjures elemental fog and wandering fire—be careful who you follow—while Les Antonymes' December (getaway) collides experimental electronics, ambient textures, and art-rock energy into haunting psychedelic soundscapes. Taylor Nuttall's This is not a simulation? transforms Paris station field recordings into surreal, glitchy electronic worlds, and Eric Hausmann's Ambient Specter blends orchestral lushness with electric guitar and unusual effects into a darkly hypnotic score.
Soundscape releases
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“The haunting melodies of holiday cheer give way to whispers of something sinister.”
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“A dense, magical universe of light, darkness and alpine atmospheres.”