“A selection of reinterpretations, live studio takes, rehearsals, live video and label compilation appearances.”
Lose yourself in the soundscape: Willebrant's The Coming Rains EP conjures meditative evenings through soft pedal piano, fretless bass, and field recordings in a trans-continental collaboration between Australia and India, while The Knight Seas delivers slowed and reverb-drenched bass and ebow guitar for the somnolent. Nicola Olla's Threefold weaves warmth and roughness across sixty minutes of slowly evolving ambient movements composed for a Sardinian museum exhibition, and The Black Cube's Thing Thing No Gap hits back with dirty breakbeats, drones, and analogue nastiness. Tel Quel's Decaying Lull charts a descent from glitchy industrial percussion to deep ambient field recordings captured in Japan's Yoshino Kumano National Park, and Eric Hausmann's Slow Ambient Dub blurs bass-heavy dub grooves with sirens and conflict-haunted field recordings into a cinematic protest.
“A selection of reinterpretations, live studio takes, rehearsals, live video and label compilation appearances.”
“Rhyot’s CULTURE EP is a four-track dark electronic record that pushes into anxious atmospheres, chilling soundscapes, heavy midtempo rhythm, and abrasive industrial sound design.”
“a vibe of some kind of extra-dimensional jazz club with the sultry trumpet licks ringing through a space that defies common physics”
““Recommended if you like soundtracks for non existent movies or series.” (TheNewNoise.it)”
“Experimental ambient, infused with french-speaking existentialist poetry, sometimes underpinned by haunting beats.”
“'It doesn't try to tell you how to feel, it lets you feel however you really want to about it.'”