“The War We Miss? by Jacob's Fall is sometimes playful, then sinfully counterintuitive, sometimes theatrical, always atmospheric, then somber and melancholic.”
From the fetid depths of heavy riffage: I Ya Toyah reaches through the wall with WHITE WALLS, a raw confession about the invisible distance between how we appear and what we are actually surviving, with proceeds benefiting Backline Care. Arcane Synthetic delivers cinematic immersion on A New Era & Nothing More: Part I, navigating industrial abrasion and dark ambient landscapes through the psychological aftermath of transformation. syn.terra surfaces a five-headed monstrosity with Skylla, fusing piano melodies, wailing horns, and double-kicks in progressive swamp metal glory, while Jacob's Fall channels society's darkest corners into the deeply melodic, atmospheric rock of Lost In Silence.
“The War We Miss? by Jacob's Fall is sometimes playful, then sinfully counterintuitive, sometimes theatrical, always atmospheric, then somber and melancholic.”
“War Horny by Chris of Wilderness cruises and explodes through the apocalypse with paranoid electronics and burning poetics.”
“No description needed. You know what you’re getting into here. This is the sequel to Oh Gordon (now fortified with nearly 8% more RAM”
“Downtempo experimental electronic created with only guitars and zero effects of any kind”