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Indie's introspective depths unfold: Letters from Mars delivers a deeply vulnerable concept album about the cycle of love and chaos, while som som transforms existential dread into hypnagogic pop euphoria for the end times. Rebekkah The Band crafts poems that grew melodies in their short story of war and love, and som som offers recession pop with shiny euro-pop production hiding restless anxiety underneath. tazdi shares a breakup album five years in the making, mixing rnb, indie, cloud rap and hyperpop from tracks first written at age 13.
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♱ Lilith ♱
Nevermore's Shadow
A Gothic rock/grunge fusion, inspired by my deep love for Edgar Allan Poe’s The Raven.
BRSFRD
Enough For Jive
The purest, high-energy, XXL instrumental funk that could be mustered. Best enjoyed front-to-back, toes tappin', shoulders movin'.
we shrunk
end of the beginning
the songs on 'end of the beginning' wrangle with love and fear and finding our place here; simple but big stuff we continue to scratch at, even if it hurts.